It demonstrates how easily something that is completely false can be built up on the flimsiest of evidence to become what seems to be true. This short film designates the first half of the larger film that is Hong's Tale of Cinema. An individual can set loose the forces of history, but cannot control them.
And I maintain that there is enough going on here to justify it as an object of study. Of course, I never take any of it as serious since the acting and dialogue is laughably horrendous, an eye-rolling, comical teen romp.
Part of the film's attraction comes from the thrill of anticipating when Jeong-hye will break from her routine and reveal her inner turmoil. True, the entire ensemble cast is nothing short of fantastic, including a career-reviving performance by Han Suk-kyu, but everything in the film boils down to Baek's character.
In her masterful debut, Take Care of My Cat, Jeong brought us into the lives of five girls as they crossed into womanhood while negotiating a space for themselves within the opportunities and constraints available to them as young, Korean women in their city of Inchon.
When Lee Byung-woo's pleasant score accentuates the romantic mood, we are left unsure whether to take it at face value or in an ironical way, as a snickering commentary on the impossibility of true romance.
A Bittersweet Life posits what might happen if, after all those years, a frozen pysche such as Sun-woo's should suddenly start to melt.
I think they shouldn't be allowed within city limits; they're just too big and potentially dangerous. And the movie appears to ultimately hedge its bets regarding the possibility of a real romance brewing out of such politically and emotionally charged set-ups, involving sexual abuse, invasion of privacy and manipulation of ethics codes.
The end result is a visually stylish, cool film that is both very commercial even though it underperformed in both Korea and Japanand also complex enough to make it hard to pin down.
However, I can state right off the bat that the Big Revelation that dutifully turns up near the ending is not one of them.
Korean 83, Imported Total admissions: Namely, the emotional climax -- Kim blowing Park's brains out -- occurs not at the end, but halfway through the film.
People don't judge movies purely by objective criteria; they are also drawn to particular works because it says something to them personally.
As in many of his previous features, such as the grisly "cooking" movieor the ob-gyn extravaganza Push! The amazing thing is that, like Hong, Park's Yu-rim is a completely believable character in the Korean context, a fascinatingly disgusting or disgustingly fascinating, take your pick combination of taekwondo-kicking-under-the-blanket machismo, uncommunicative obtuseness, irresponsible immaturity and, yes, boyish charm.
The next year, it was screened at film festivals, including the Jeonju International Film Festival. Also returning from Oldboy are composers Jo Young-wook and Choe Seung-hyun, who provide a delicate, deceptively "proper" score, based largely on strings Vivaldi is heard again, but used much more subtly than in Oldboy.
They are also not nearly as well put together or coherent in design as their defenders make it out to be, and neither is as "progressive" or "honest" as its filmmakers in this case screenwriter Go Yun-hui and director Han Jae-rim probably think it is. Also, our bodies during this age span are better able to recover from injuries that at times result from such exploits.
It was reported immediately after in numerous newspapers that the journalists in attendance applauded long and hard following the press screening and that most of them were in tears.
They are often accused of harboring vulgar and perverse qualities unbecoming their formal resplendence and aesthetic sophistication. This may have been what happened with Git by Song Il-gon, the director of Flower IslandSpider Forestand various award-winning short films including The Picnic Yahoo Lifestyle is your source for style, beauty, and wellness, including health, inspiring stories, and the latest fashion trends.
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Visit cytopix.com to get the latest episodes and TV Airtimes. T he year turned out to be somewhat of a rejuvenation after the comparatively weak offerings of Although Korean films did not win any major awards from top-ranked festivals inas they had the previous year, the films themselves provided a much broader range of quality.Download